EVIL ...
OR DIVINE?:
An Interview with RONNIE JAMES DIO
Interview by Ray Van Horn, Jr. - March 2005
If you’ve followed heavy metal for a long time, the mention of Ronnie James Dio’s name is second-nature, like Steve Harris and Bruce Dickinson of Iron Maiden, or Rob Halford or KK Downing of Judas Priest. You’re either practiced in its enunciation, or you’re just beginning to learn that the three-letter, two syllable name brings with it a history that spans most of our lifetimes and beyond. For myself, I can dust off my old denim vest from the eighties and count four different buttons out of the scores with Dio’s name on them. Needless to say, I have lots of memories related to this man, and as Ronnie James Dio releases the companion CD to his live DVD "Evil or Divine: Live in NYC," I take a veteran fan’s pleasure in knowing I’ve conversed with one of the genuine greats in the business.
RoughEdge.com: Hi, how are you,
brother?
Ronnie James Dio: Good.
RoughEdge.com: Good. It’s an honor, man.
Ronnie James Dio: Thanks so much. I appreciate
that.
RoughEdge.com: I appreciate the time.
I’m going to start off and mention that the origin of the name Dio has so many
variables behind the actual word. In Italian it means “God” and in Hungarian it
means “walnut” of all things! Realistically though, you pulled the name Dio from
a Mafioso's name, right?
Ronnie James
Dio: That’s right, yeah.
RoughEdge.com:
There’s a Johnny Dio in Scarface for that matter, and I guess at this point we
might be able to affectionately call you one of the dons of metal!
Ronnie James Dio: (laughs) I guess there’s all kinds of
word plays on my name. I think the best one I saw was when I joined Sabbath and
it said “God joins Black Sabbath” or something like that. (laughs)
RoughEdge.com: (laughs)
Ronnie James Dio: So there are a lot of plays on words
about it, you know? When I took the name I just wanted something concise because
my name is a bit long anyway. In those days—when I started anyway—it was pretty
fashionable to chop your name down, so it flowed off the tongue a bit better. So
when I chose the name, obviously it stuck and it was actually one of those very
lucky choices. I didn’t do it for any reason other than it was short and it
seemed to flow a little bit, but who knew that it was going to become what it
has become?
RoughEdge.com: Exactly. Now
obviously in today’s metal scene the upraised horns sign salute the bands that
are performing or are just a silent way to say “metal.” I personally as a habit
tend to flick it towards people in general conservation, merely as a gesture to
say “cool” or what-have-you, but what most people don’t know or even acknowledge
is that you essentially brought that whole gesture phenomenon to heavy metal
culture. To me, what’s even funnier is that the gesture, in old Egyptian times,
was called “The Evil Eye.”
Ronnie James Dio: Mmm hmm.
RoughEdge.com: After all these years, how does it feel to
have kind of started a subliminally funny revolution with the horns-up
sign?
Ronnie James Dio: Well, once again
it’s one of those things that come completely unexpected. It’s just a natural
gesture of something I did that I saw as a kid from my grandmother, you know?
She brought it from Italy as a superstitious gesture that’s been used, as you
suggested with Egyptian times so long ago. Of course, I never invented it but
for some reason that gesture happened to pop up. I was watching a Rainbow video
the other day as a matter-of-fact, and I noticed I did it in that one too,
though not very often. So it was always inherent there, but I think Sabbath was
certainly a vehicle to be able to do something that I knew was a little bit more
kind of an evil sign—not trying to give it that meaning—but it just worked and
once I started to do it, it just happened to balloon more and more. People
expected me to do it and I’ve used it so much I’ve become synonymous with it,
but no, I didn’t invent it. To answer your question, it’s pretty cool, really,
to have invented something like that! Really cool.
RoughEdge.com: Yeah, it’s kind of funny because I’m 34 and
when I go to shows today and see it all over the place I automatically think of
you, of course.
Ronnie James Dio: (laughs)
Right.
RoughEdge.com: Since you were one of
the first to use it back in the day. Now, did Hear ‘n Aid II ever get kicked
off? I know the proceeds were supposed to go to the Children of the Night
organization, which fights child prostitution.
Ronnie James Dio: Right.
RoughEdge.com: Did you ever get that kicked
off?
Ronnie James Dio: We’re still in the
midst of finishing the tracks, as a matter-of-fact.
RoughEdge.com: Okay, cool.
Ronnie James Dio: What’s happened is I just repopulated my
demo studio with another form of recording and it’s been a learning curve, so
that, plus the fact that we’ve had a couple of gigs that we’ve done in this
three month period where we haven’t done anything. We had to go off to Monterey,
Mexico to do a show and we just returned from Puerto Rico and did another one.
So things have kind of gotten in the middle of it, but we are doing it now and
we’re just kind of learning what we’re doing and we’re going to finish the song
soon.
RoughEdge.com: Excellent. What I
thought was really special about that VH-1 100 Most Metal Moments is that they
chose the first Hear ‘n Aid as number one.
Ronnie
James Dio: Yeah.
RoughEdge.com: Because
people don’t often associate metal with philanthropy, you know? So many
narrow-minded people still pigeonhole it, for lack of a better
term.
Ronnie James Dio: Well, we certainly
noticed that when we were doing the project, truthfully. It was kind of scoffed
at when it was even suggested. I think what was lucky was, at that particular
moment when Jimmy (Bain) and Viv (Vivian Campbell) had the conception to do it,
coupled with the Dio name that was certainly very successful at that time, I
think that drew a lot of people around it and really made it possible. But
without that, everyone would just go (laughs) ‘what’s this going to be all
about?’
RoughEdge.com: (laughs)
Ronnie James Dio: I mean, just proving the fact that we
could do it and how much the people cared who did it, and how successful it was
from a genre that wasn’t looked upon to make any money at all, I guess … But it
proved how strong metal was and that there was a great audience for it. So I
think all-in-all, it was very eye-opening, but very difficult because it was not
really embraced in the beginning.
RoughEdge.com: Yeah, definitely. As a fan, I got the tape
right away and only the people in my circle got it while everybody else was
like, ‘Oh, it’s just a knockoff of Live Aid or Band Aid!’ I used to say “You
just don’t get it, man.”
Ronnie James
Dio: Well, they don’t get it, but that’s not the point. The point is that
I think too many people have the preconceived notion that whatever we do we
really do for money, and I think a lot of people thinking ‘Oh, they’re just
jumping on the bandwagon, it’s going to be good for them!’ then in what way was
it good for us except for the fact that it showed we had a conscience? It shows
that no matter what kind of music you play, that people are people and if you
care, you care. You do what you do. But yeah, you’re always going to get that,
but I think it’s because there were so many offshoots of it. Country did one.
I’m sure jazz did one. I know a couple of other music genres did it too. Because
ours was at the very end of it, I think it was just looked upon as ‘Ah, they’re
just jumping on the bandwagon,’ but in actuality, of course we did it because we
cared.
RoughEdge.com: Exactly, and it’s not
like that metal, as an art form, has had any easy way to go in terms of
acceptance.
Ronnie James Dio: Well, aside from
that, if you listen to the song itself, “Stars,” which had the chance to feature
all those people on it …even though there wasn’t a lot of room for them to
expand as they would if they were the only guitar player or the only singer, I
think the performances were great! I think that it was as well done as anything
else and there was actually a song the metal people at that time really liked
and could relate to. I think it just showed a lot of talent there and I know
that it did because I was involved in producing the thing, and working with all
that talent that was in that room, whether it would be guitar day or vocal day,
was pretty stunning! So it reaffirmed my faith musically that the people out
there who are successful are really good at it.
RoughEdge.com: Mmm hmm. That leads into my next question,
which is a little different pace: Having come from supergroups like Rainbow,
Sabbath and even Elf with the Deep Purple connection, you’ve gathered elite
musicians repeatedly, using Hear ‘n Aid as one example, but even into your own
personal band. To me, it reminds me of Prince that he’s always able to assemble
these monster supergroups and you’ve done the same over the years. Right now
you’ve got Rudy Sarzo, and Craig Goldy’s back, and some people may have
forgotten that Simon Wright used to play for AC/DC. I guess what I’m trying to
get at is that it’s nothing but the best for your band, correct?
Ronnie James Dio: That’s because it’s always been the
attitude. That’s always been my attitude. I don’t want to play with people
lesser than me. I mean, sometimes you do, and I’m not trying to say that from an
ego standpoint, but at some point you want to get good at what you do or you
don’t. It was the same matter with my joining Rainbow, well not joining it, but
forming it with Ritchie (Blackmore). He wanted someone there who was at least an
equal to his talent as a writer and a singer, or at least that’s what he
thought, and hopefully it proved correct! So Ritchie’s certainly not going to
settle for someone who’s second rate, nor would I. I think I learned so much of
that from being within the Deep Purple organization. They always did things
classy, you know, first rate. The musicians are always great musicians,
something I always wanted to be and aspire to be, so that was my inspiration. So
I’m always going to live within those rules. You have to surround yourself with
the same talent that you have, and I think that it’s been easier for me because
I’ve been blessed with that talent and have had success. People gravitate
towards success and they say “I want to play with Ronnie Dio. Maybe I’ll learn
something, maybe it’ll be a step up for me,” whatever it may be. Whatever the
reason, I’ve always been able to surround myself with usually the top
guys.
RoughEdge.com: To me, trying to be in
their position, I imagine they feel they would have to step up their game to
play music with such historical relevance in rock music.
Ronnie James Dio: Oh, absolutely! That’s why you need those
players for a start … if you listen to the music that we still continue to play,
which encompasses Sabbath and Rainbow, then you have to be pretty damned good at
it. I mean, you’re playing parts that Ritchie Blackmore was playing, you’re
playing parts that Cozy (Powell) played, and on and on and on. You’ve got to be
good to do that kind of thing! So you’ve got people who are like ‘Wow, I can’t
wait to give that a try!’
RoughEdge.com:
Yeah.
Ronnie James Dio: The bad ones aren’t
capable of it, while the good ones you keep, you know, guys like Rudy who are
just so absolutely brilliant at it, and Craig and Simon, you know, they all have
the same work ethic that my band has … my ethic is that everything has to reach
for perfection. No, you never can do that, it’s impossible; you’re never going
to get perfection and if you do, you might as well shoot yourself!
RoughEdge.com: (laughs)
Ronnie James Dio: But if you keep striving for it, no
matter what you do, whether it’s rehearsal, whether it’s a gig, whether it’s
writing, you always go for that and then you know, chances are that you’re going
to be very consistently putting out product that people will want to
hear.
RoughEdge.com: Cool. Now you’ve
been described by countless people who have testified to your personal
genuineness and fan-friendliness. I’ve heard lots of stories about your
dedication to meet-and-greet with fans and is this one of the contributing
factors towards your leaving Sabbath both times?
Ronnie James Dio: No, no, not at all. That had nothing to
do with it.
RoughEdge.com: Okay, I
misinterpreted something I read.
Ronnie James
Dio: They weren’t fan-unfriendly. They were just what they were. I mean,
they’ve been successful for a long, long, long time! You get into the routine of
knowing what’s coming next and it becomes a pain in the neck sometimes. You
started by wanting to play music and not having to deal with those things, so
you either are that person or you aren’t that person, and that was never ever a
problem. That never led to anything like that at all. My fan-friendliness is
because that’s what I want to do. Those are the people I play for, they got me
there. Those are the people I listen to. I want to know if I’m doing it right,
and if I’m doing it wrong, what can I do to make it better? I mean, that’s just
sense to me, and I like to talk to people. I love their genuineness and you
can’t buy that kind of love. I’ve been a really lucky person to have that and
when I see that kind of appreciation out there, I don’t see how you can’t
respond by saying thank you just by signing an autograph or saying hello or
speaking to them, or even learn something. But no, it was never a reason for my
leaving Sabbath.
RoughEdge.com: Right on, man.
There would be so much to cover in your career that it would take us all day,
but what will always hit in my mind as a fan was the first time I ever saw “The
Last in Line” video.
Ronnie James Dio:
Cool.
RoughEdge.com: What I thought was gutsy
about you having the tentacle splicing scene …
Ronnie
James Dio: Yeah.
RoughEdge.com: It
helped me to get hooked on metal as I was just beginning to get interested, but
you took a lot of heat for it back then! I know today’s generation can’t really
relate given the crap that’s on MTV now, but that scene particularly was
hardcore for its time!
Ronnie James Dio: It
was, yeah. All of that was. It was directed by and really put together by a guy
named Don Coscarelli, he’s the guy who did "Beastmaster" …
RoughEdge.com: Okay.
Ronnie
James Dio: Great director, at the top of his game, so you’re dealing with
someone who’s really, really good for a start, and that was all his concept on
how he wanted to do that and he did a great job with it. As far as anything that
was done in those days, if it was a little bit too violent or a little too
strange, then it was, of course, frowned upon, but I think if you look at that
video you see not only the images that we’re trying to portray, which are kind
of netherworld here and there, but there’s so much sci-fi in it. I think that
forgives whatever violence there may be there.
RoughEdge.com: Right on.
Ronnie
James Dio: I mean, it’s a fictional thing, but I was really proud of the
video. I thought it was great. The question most asked to me is, is the young
kid in the video your son? And of course, it wasn’t. It was a kid named Neil
Paluz, who was actually Punky Brewster’s brother.
RoughEdge.com: Oh, cool!
Ronnie
James Dio: And Punky Brewster is actually one in the crowd as well. She
was only like five or six at the time. She came down with her brother, and then
we stuck her in there as well.
RoughEdge.com:
How neat is that? Well, while we’re still in the eighties, I read a quote from a
young fan who said that he’s sad he wasn’t around during the eighties to catch
you, quote, “when metal ruled the world,” so tell me how you yourself perceive
the eighties. I mean, for you I’m sure it was an up and down kind of thing and
having “Hungry for Heaven” play on the Vision Quest soundtrack along with
Madonna, John Waite, Journey and Style Council … I mean, what a statement of
what a crazy decade the eighties were!
Ronnie James
Dio: Yeah, absolutely. If we go back to that time, those were the people
who were successful and some of those were the people who were coming up.
Anybody who had a song on that particular album should thank Madonna up and down
because she certainly made it easy to sell that album! She was such a hot
prospect, again just coming up, and everybody wanted to hear her sing, so there
it was on that album and it certainly helped. But yeah, the cross section of
people there just shows you how music was kind of perhaps muddling at that
particular point, trying to find a way, trying to find a new direction,
whatever, and so you’ve got this hodgepodge of a lot of people. Of course, it
was also a matter of ‘let’s choose the hottest properties that there are, no
matter what they are together, and they’ll sell this product,’ and that’s really
what happened.
RoughEdge.com: Right.
Staying in this theme here, the CD companion to your live DVD, "Evil or Divine:
Live in NYC" is being released, and what I’ll comment upon is, for that kid who
missed the eighties, you and your band are very respectful towards us older fans
and then the newer generation by selecting a large portion of the classic
Rainbow and Dio songs, even “Heaven and Hell” from Sabbath, and it just reminds
us that Sabbath wasn’t just an Ozzy phenomenon, which is what I beat my head
against the wall to remind some of these fans!
Ronnie
James Dio: (laughs)
RoughEdge.com: But
do you feel "Evil or Divine" helps bring that spirit back for the old legion and
sort of presents a time capsule for the new?
Ronnie
James Dio: You know, Ray, I think it’s actually more directed probably at
us than it is in a general way. I think that’s maybe what we’ve done for
ourselves and giving people a time capsule as to what we are, because I think
we’re just so different than all those other bands. In talking about the ethic
and the people I’ve been lucky enough to be surrounded with, that’s what’s made
this band a little bit more special, a little bit more different. I’d like to
think, of course, my uniqueness of singing style has probably helped as
well.
RoughEdge.com: Right.
Ronnie James Dio: And the writing that we’ve done together,
all the people, all of us who have written together have written good songs, so
I think what you’re seeing there is Dio. I don’t think you can say ‘Wow, there’s
Dio, this must be exactly what it was like to be in Cinderella!’ or ‘That must
be what Cinderella sounded like,’ or ‘That must be what Slaughter sounded like,’
you know, some of the bands I’m mentioning that were around in that time, but
who didn’t have any of the same kind of the musical credentials that we had, and
again I think it’s more pointed towards the Dio band, not giving any kind of
microcosmic look into what it was then.
RoughEdge.com: Right. Now, you’ve performed countless shows
with all of the bands you’ve been associated with, particularly your solo band,
and you’ve got a number of live albums, but in your opinion for "Evil or
Divine," what made it particularly worthy in your eyes to capture it for
yourselves?
Ronnie James Dio: Well, it
was a great band, just a great band. Doug Aldrich was playing with us then, you
know, just a brilliant guitar player. We really cared a lot about each other, we
had a good time doing it. It was at the end of the tour swing, we had been
playing for about six months and we were really on top of our game, so it was
really a perfect time with the perfect people. Everybody was playing well. Jimmy
Bain was still with us then, he was the original bass player. So it had a good
connection to it, I’m glad we got a chance to capture that band with Jimmy in
it. It was just a right time for the band, you know, the band was really wailing
at that time, but had it been any of the other bands it still would’ve been just
as good because we insist upon that.
RoughEdge.com: Right. "Evil or Divine" captures the
"Killing the Dragon" tour, but a lot of circles are still talking about the
"Magica" tour as being what the name implies, pure magic. Specifically, I
frequently hear about how the "Dream Evil" material takes new life from that
tour. Do you feel that "Dream Evil" fell short of your production expectations
that made it better as far as the live interpretation?
Ronnie James Dio: I actually think that, in retrospect,
that that was a really good album.
RoughEdge.com: Oh, I agree.
Ronnie James Dio: At one time I hardly cared for it and we
hardly did anything from that album. I think maybe it was because of the
circumstances. It was kind of difficult for Craig (Goldy) to come in and replace
Viv, who everybody was so used to and wanted to still be in the band, so I think
at times it made it difficult for me, and I always look back at those times as
that album not being a very good album, but it was. It was a great album.
Nowadays I think about how many good songs are on that album and just how well
it was done, so no, I don’t think it fell short of any expectations at
all.
RoughEdge.com: Cool. I want to use that
kid for this next question, at this point a hypothetical kid. Take him by the
hand if there’s this kid staring at you and he’s asking you to show him your
career. I guess pick a point-of-reference in your career where you’d like this
kid to start discovering Dio.
Ronnie James
Dio: If we’re only talking about Dio …
RoughEdge.com: Sure, that sounds good.
Ronnie James Dio: Okay, that way I can get my timing right
…
RoughEdge.com: (laughs)
Ronnie James Dio: I think it would have to be just before
the band was formed, because I’d come out of Sabbath at the time. We had no
record deal at all, well, actually I’m telling a lie. I had a solo deal with
Warner Brothers at the time, so that was good. It wasn’t the reason I left. Had
I not had that deal, I still would’ve been gone and I still would’ve found some
other place to go, but luckily that happened. So Dio in place doesn’t really
matter.
RoughEdge.com: Right.
Ronnie James Dio: So the kid’s going “Now what?” ‘Well, we
don’t have a guitar player and we don’t have a bass player, we just have you and
I, Vinnie (Appice), a drummer and singer and what are we going to do now?’ So I
take that kid and show him what we did, and what we did was go to England, find
a bass player, find a guitar player, one that we thought was going to be really
special. It happened to be Viv Campbell. The bass player is Jimmy (Bain), who
I’ve played with before and I knew how steady he was. But moreover, it’s all the
trials and tribulations of all that, of trying to find those correct people.
That’s where it really all started with Dio, not settling for anything
second-best, traveling six thousand miles across the ocean to find what we
really wanted. That was the beginning of the band; that was the most important
part, because we overcame obstacles. The rest was easy. After that, it was just
putting those musicians into a room because they are that good, and creating and
enjoying it, so I would take it from the hard part, which is putting it together
first when you’re suddenly out of the biggest band in the world, and you know,
seemingly left behind.
RoughEdge.com:
Right on. One of the things I’ve personally related to with Dio is the medieval
element that you’ve always embraced throughout your career. I’ve always thought
of Dio as the Excalibur of metal and I’m sure you’ve probably heard that
reference a thousand times, but I also believe in karma and the afterlife, and I
specifically feel that I was a squire to a knight in another life and we were
both killed in battle. Call me a cornball, so be it, but what is it, including
past projects like Rainbow, that has enamored you to the
Renaissance?
Ronnie James Dio: Well, it was
always about reading for me. I was an only child. I like to read to a lot, so I
used to read a lot of things like Walter Scott books, Edgar Rice Burroughs
books, John Carter of Mars books …
RoughEdge.com: Cool.
Ronnie
James Dio: A lot of science fiction books which are all very related
Medievally. A lot of the stories are told within that aspect with those
trappings, and so having used my imagination and putting myself in a world that
we never could see … there may be films of it, there may be drawings of it, but
who knew the way it really was? Putting myself into that perspective, I think I
decided that once I had to start writing songs for myself, then I was therefore
going to use that kind of outline as much as I could, because it was different.
No one else was doing it. Again, I let the imagination go where it wanted to.
You can almost say anything and create anything and people will either believe
it or not. Those who wanted to hear the kind of rambling that made them use
their imagination enjoy that. So it was from the early reading that I really
decided, to be successful, you’ve got to be really unique, and I thought that
was going to make me a bit more unique. But it was an easy form for me to write
in too, because I read about it so much and I really enjoyed it so
much.
RoughEdge.com: Right on. I want to talk
about the “Push” video for a second. I’ve considered you one of the more
serious, almost royalty-like figures of metal, and then you watch this video for
“Push,” which cracked me up by having Tenacious D in it.
Ronnie James Dio: Mmm hmm.
RoughEdge.com: (laughs) And I think you’re to be commended
for … I look at it as almost self-lambasting in this video.
Ronnie James Dio: Well, it was a joy to be able to have
Jack (Black) and Kyle (Gass) doing it. It was great to meet Jack and know what a
great rock fan he was and how much he liked what we did in Sabbath and Dio. That
was really nice to be by someone who had a reputation like that. But, you know,
humor is so important in life! I mean, you can’t take yourself seriously all the
time!
RoughEdge.com:
(laughs)
Ronnie James Dio: It wasn’t meant to
be self-deprecating at all, but I think at the end of the day it probably did
show what I’ve always tried to say, which was, I don’t have that kind of an ego.
None of us have that kind of an ego. Our ego, I think, is what other people
think you are or what they want you to be, whether it’s positively or
negatively, so we don’t defend ourselves with it, but if that in any way shows
that we don’t have that kind of ego, then “Push” was worth it.
RoughEdge.com: Yeah, no doubt. Speaking of humor, I guess
you’re aware of … I mean, it’s old, but I saw a Ronnie James Dio for President
campaign website!
Ronnie James Dio: Yeah.
(laughs)
RoughEdge.com: (laughs) Were you
involved in that at all or is that just something that cropped up?
Ronnie James Dio: No, that was either someone’s wishful or
destructive thinking! (laughs) I don’t know which it was. No, it was just
something that came up. It was nothing to do with me.
RoughEdge.com: That was nuts, man! (laughs)
Ronnie James Dio: (laughs)
RoughEdge.com: Now, even though it’s been out for awhile, I
feel I should mention your latest studio album "Master of the
Moon."
Ronnie James Dio: Mmm hmm.
RoughEdge.com: First, are there any new mascot names for
this demon on the cover like Murray or Denzil in the past?
Ronnie James Dio: No, he doesn’t have one. We haven’t
really personalized him enough because I doubt very much we’ll be using him
again. He was never really meant to be that, it was just to be not-Murray, but
something that had a lot of strength and of course had a connection to the album
covers we’ve done before.
RoughEdge.com:
Right on. Now, since you’re no stranger to the recording studio, I’m sure
"Master of the Moon" was probably textbook for you. Pretend I’m a guest
observing you guys record. What exactly am I seeing going on in the studio for
this album particularly?
Ronnie James Dio:
Well, you’re seeing a band that’s really prepared with its material, one who’s
ready to go into the studio and record it. I think that’s the most important
part. You’ll see that, then you’ll see the changes that go on inside of it.
Nothing is ever written in stone. Once you sometimes hear it back, you realize
it could be better, so it’s always a constant changing process, but we’re lucky
because it has been so basically well prepared that the changes don’t take
months at a time. We’re always quite true to the time we have. We usually record
it in two months.
RoughEdge.com: Nice.
Now, since rock history will always reference you as synonymous with “Rainbow in
the Dark,” can we philosophize for a second and just say that since the song
appeared towards the end of an uncertain climate in America in the early
eighties, that we could probably carry its message into the equally blackened
times we live in right now? In other words, your rainbow to me represents a
positivity that we need in our darkness as a society.
Ronnie James Dio: Yeah, I agree. It was really just
something that came out of me at the time for perhaps whatever I was going
through, and how I wanted to use those words as an analogy for what I felt at
the time. I think the song is pretty timeless in that everyone is really exactly
the same as at the time when I wrote the song, knowing that human nature has not
changed and it probably never will. So yeah, I think it’s a message that can
absolutely live through all periods of time. Doesn’t mean it’s going to change
anything, but if someone certainly wants to listen to it and eat it, it’s there
and it’ll apply to any situation.
RoughEdge.com: Yeah. Now, the last thing I want to say, and
it’s more of a statement than a question, but I just want to mention that “Like
the Beat of a Heart” never leaves my mind, nor does “Rock ‘n Roll Children,”
both from "Sacred Heart" … that album was playing when I completed my first real
first short story when I wrote it back in 1986. So it’s more or less my personal
thank you for giving me a little bit of a soundtrack, you know? Also, while Joe
Lynn Turner means a lot to me as an individual, “Stargazer” nonetheless defines
Rainbow in my ears.
Ronnie James Dio:
Well, thank you. Thank you for that. I think it actually did enlighten the
black; that whole long piece, I think, was the stamp of what the band was meant
to be when it began. Joe brought a different perspective to that band the same
as I brought a different perspective to Sabbath.
RoughEdge.com: Right.
Ronnie
James Dio: When you put a different person in there, you’re going to get
a different flavor, but I agree. I think … to my mind anyway … that will always
be as Rainbow was supposed to be, but then again, if you’re a creator of it,
that’s going to be your opinion. But I do agree, I think “Stargazer” was one of
the definitive songs, and that album ("Rising") was one of the definitive albums
of its time.
RoughEdge.com: Oh, absolutely.
Not just as a band, but the genre as a whole.
Ronnie
James Dio: Yeah, it was adventuresome and it was really, really well done
musically, and it was a band that nobody had heard before and they went ‘Wow,
what’s that?’ Isn’t that what it’s supposed to be? Just like Dio was, everybody
heard it for the first time and went ‘Wow, what’s that?’ Same with Sabbath, they
heard me in the band for the first time and went “Wow, what’s that?’ Well, it
proves I’ve done something right all these years, I guess!
(laughs)
RoughEdge.com: Exactly, man.
That’s all I have, again I truly thank you for your time!
Ronnie James Dio: It’s a pleasure, Ray. It’s good to talk
to you, pal!
RoughEdge.com: Same here,
brother.
Ronnie James Dio: You take care of
yourself.
RoughEdge.com: Do the same. Catch up
with you later!
Ronnie James Dio: Bye, bye.
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Copyright © 2005 by R. Scott Bolton. All rights
reserved.
Revised:
06 Oct 2019 11:48:50 -0400.