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MASI ON MUSIC
An Interview with ALEX MASI
by Jeff Rogers
August 2009
Rough Edge: Alex, thanks for taking the time to answer some questions before you jet off to Europe for a couple of months, is it a business trip or just for pleasure?
Alex Masi: Both actually. I'll be doing shows
and guitar clinics but I'll also be hanging out with family and friends.
Rough
Edge: Your first disc of incredible guitar playing, "Fire in the Rain,"
was released in 1987. Your current disc, "1900 Hard Times" with MCM (Alex Masi,
Randy Coven and John Macaluso) was released in 2007. Can you believe it's been
twenty years since your first release?
Alex Masi: Yeah ... time and its passing is a weird
subject ... especially when one lives past 30, you start to wonder about the
whole design of the universe and all things in it ... awareness and
consciousness of self and others and the impermanence of it all. MCM 1900 was
the last album with me (plus Randy and John) as headliner but I've recorded and
appeared on a bunch of other people's albums since then.
Rough Edge: I'm big into guitar players who stand
above the crowd: Steve Vai, Joe Satriani, John Petrucci, Yngwie Malmsteen. I
don't want to list my Top 20 (you're in it by the way) so when I heard "Vertical
Invader" I had to check out your history. "Attack Of The Neon Shark" was your
first solo record, what was it like to record it?
Alex Masi: It was a brand new game for me because,
up to that point, I had only been involved in "band projects" and suddenly I had
carte blanche to do whatever the hell I wanted, which was a tremendous thrill
but also a lot of responsibility especially considering the money the company
was spending in the studio, for other musicians and for my advance ... but i
just chose to record what felt right at the moment and stopped worrying about
making it a big seller, etc. Plus, I got to jam with Allan Holdworth and that
alone was worth the price of admission ... the album was nominated for a Grammy
so in the end everyone was happy, even if the music was mostly weird.
Rough Edge: Anybody who researches you will no
doubt discover your love of classical music. Your obvious influences are Bach,
Mozart and Beethoven; how much fun was it to dedicate three separate albums to
each composer?
Alex Masi: I don't know if "fun" is the term I
would use ... probably more like "inspirational." Bach was the first of the
three. Recording that one was therapy for me having just come out of a pretty
dark period and installing my early studio at my house. Mozart and Beethoven
were recorded in a more relaxed situation and you can hear it ... the Bach album
had a lot of urgency. Recording all three was an intense high simply because
you're reading, executing and recording music that's so obviously above the norm
it can't help but put your spirit on some amazing spiritual level.
Rough Edge: MCM has released two discs, "Ritual
Factor" and "1900 Hard Times." Are there anymore releases slated for future
fans? Also, tell us about how you formed MCM - was it a side project or a
planned collaboration?
Alex Masi: MCM happened because I was contacted by
some promoter in Mexico City to go and perform there and my reply was that I
wanted to take a rhythm section with me. I've known John Macaluso for 22 years
now (wow!) and we've been in touch on and off through the years. He recorded on
some of my stuff, we did some touring, etcetera, so i called him and he
suggested Randy Coven who had just been with him with Malmsteen first and then
with ARK. We went to Mexico City and played some shows there, having the best
time on stage, so when we got back to the US we decided to make an album. Keep
in mind that 90% of the music we did with MCM was improvised so it was easy and
quick. At this point, MCM is "on ice." I have a couple of albums that I'm
finishing right now, John has a music school in NYC to run and Randy ... I'm not
really sure what Randy's doing (LOL). Who knows, maybe in the future we'll do
something else if someone feels like having us play and the offer is good.
Rough
Edge: A little off the subject, how do you think the music business has
adapted to MySpace, iTunes and various other websites that get music to the fans
quicker albeit they still want to market it to certain demographics. Has the
internet helped you to broaden your audience?
Alex Masi: A complicated subject ... first off, let
me say that I'm not a fan of what you called "the music business." I've had the
dubious pleasure of meeting many of its representatives through the years and
the majority of them are absolutely uninterested in artistic values but only
concerned with commercial values. The very concept of business as it's been
shaped and accepted in the Western world is meant to flatten all content and
render it acceptable to the lowest common denominator so, as long as the turd is
polished and well-packaged, it'll be an easy item to market with the added value
of not making too many cultural waves. So, to answer your question, I don't
really care about the format in which the transaction takes place. My concern
deals a lot more with content rather than market place. I could go on a lot
longer about why corporate powers have immense interest in making mediocrity the
golden standard, etcetera, but I'm pretty sure not too many people would
interested in reading my rantings.
Rough Edge: Your official website at
http://www.alexmasi.net
has you sitting on an amp surrounded by nine guitars. How many do you actually
own? Which guitars have the best memories attached to them?
Alex Masi: I've had dozens and dozens of guitars
through the years. I'm not a collector by any means, I simply like to have
instruments that are easy to play and that help me get my point across, that's
all. I have about twenty guitars that I really feel at home with when I play
them and they're all different. I've been working with MUSIC MAN for a couple of
years now and I love their SILHOUETTE which is one of the easiest guitars to
play in the market. My old Charvel Sunburst has my favorite neck EVER .... this
thing is a dream to play. I have a few old Carvins as well that I put through
hell onstage etcetera and still kick ass. Unfortunately, another old Charvel i
had (the one that Shawn Lane is holding in that picture of me and him that's on
the Internet) was accidentally destroyed by a roadie years ago and that one was
a thing of beauty.
Rough Edge: You're a creative artist, how does the
thought process happen when you want to write a new song? Is it different each
time, do you have a ritual that you go through?
Alex Masi: It's always different. It has changed
through the years as well, plus it depends on the type of music I'm doing.
Lately, though, I prefer to let something else take over and get myself out of
the way of inspiration or whatever you want to call it ... no rituals ... well,
unless by rituals you mean having a couple of good drinks or taking a walk on
the hill in the back of my house.
Rough Edge: This might be a softball question but I
have to ask: Do you enjoy playing in the studio more, playing live or when you
sit down and just let the magic flow. Is there a feeling that comes over you
when you know you have composed something really special?
Alex Masi: I like both studio and live ... very
different deals though. In the studio, I love the control you can have over
everything and the fact that technology can be used just like a musical
instrument to get as close as possible to what you hear in your mind. Live for
me, it's all about raw emotions, animal instincts and spiritual connection with
the other musicians and the audience. I improvise best live. In the studio I
tend to organize my playing a lot more. When things are happening onstage the
best feeling I get is something comparable to losing oneself in a wave of
energy.
Rough Edge: Last question, I promise. But it’s a
three part answer. How do you convince people that music is always evolving? A
lot of people get stuck in musical ruts and they can't seem to understand that
music isn't just notes on a page but a feeling captured and applied. How do you
convince someone to broaden their musical horizon? Is music art like a talent or
abstract?
Alex Masi: I'm not sure if by "evolving" you mean
historical evolution, evolution of content, form etc? Good music deals with the
ineffable, the things for which words are useless so evolution can only affect
form, presentation, structure, style etcetera but at its core any form of
profound artistic expression remains always the same ... a chorale by Bach, a
John Coltrane solo, an Indian raga, "Voodoo Child" by Hendrix, etcetera, all
share the same common place in the human spirit regardless of history or
geography. The problem occurs when some people become obsessed with the
preservation of styles and form and try to turn music into museum pieces or even
worse, like in the case of my die hard rock fans, nostalgia starts creeping in
and the whole thing becomes a sad celebration of "the good ol' days" and
everything starts to smell like a mummification lab ... tribute bands, bands
reforming just to play the hits, audiences trying to relive their youth,
etcetera. Your other question is about "trying to convince someone to broaden
their musical horizon," well, I don't really try to do that, ever. It's up to
the individual to decide when it's time to try something new or look at
something from a different perspective. I've never been into proselytizing. If
someone will ask me for an opinion or advice I'll do my best but each one of us
needs to walk down their own path. Music is an abstraction as much as it is a
reality just like so-called reality can also be seen as an abstraction. I think
art is mankind's way to deal with the mystery of it all, something most
religions have failed miserably at doing. Talent enters the picture only in
order to organize how to make art possible on a physical level but each one of
us is a potential artist.
Rough Edge: Thanks again for taking the time to
answer these questions. Enjoy your trip to Europe!
Alex Masi: Thank you and I hope to have at least
partially answered your questions without boring you too much!
Copyright © 2009 by R.
Scott Bolton. All rights reserved.
Revised:
06 Oct 2019 11:48:50 -0400
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