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COMPRESSION
"Compression"
(Chard / Tolerance; 1998)
Reviewed by Christopher J. Kelter
A serious combination of Seattle grunge and alternative
metal, Compression have a sound unlike any I've heard before. I failed miserably in my own
attempts to describe Compression's music so I'll let Compression do it for me: The band's
website describes the music as "intense, emotional, experimental, noise, and highly
misunderstood." I couldn't agree more, especially the "misunderstood" part!
Baltimore, by and large, is a town very forgiving of idiosyncrasies and the unique nature
of people and bands, but Compression seem to be pushing the boundaries even further than I
thought possible. The result is a very likeable, yet challenging, set of songs about
life's misadventures from this underground outfit. The term "underground" is
very fitting for Compression as there is very little that is common or predictable about
the band or their music.
The songs strike the brain before hitting the heart. Sure, music is supposed to move the
body, but there is nothing wrong with music that appeals to the intellect. Slowly, but
surely, the music appeals to both the mind and the body. While challenging the very fiber
of your thoughts, Compression slowly draws the listener in to a vortex of a serious
nature.
Lyrically the band can be a bit depressing, painting the world in a sort of Dante's
"Inferno" dismal unreality. Elements of birth ritual and life after death
(perseverance) are common themes that run throughout the songs on the disc which
counteract the sense of hopelessness that pervades the lyric topics.
Musically, I hear a bit of the tone that can be found on Helmet's "Born
Annoying" and "Strap It On," but there are plenty of sonic goodies as the
band pitches back and forth with seesaw timbre from one extreme to the other. Oddly
enough, I also hear a bit of R.E.M.-ish jangling guitars, which stand out like sharp
shards against the relentless chords of the backing musical structures. Each song has a
life of its own with a unique nature that sets it apart from each other. Of particular
note are the songs "Antidote & Vertebrae" with its funky interplay of bass
and guitar, "Deadly Nite Shade" which features a very cool descending guitar riff, as well as "Festival Of Scabs" which has a bit of doom
and gloom music stylings.
The four talented individuals that make up the performers on
Compression's debut are Greg on vocals, Paul on guitars and toys, L.P on bass, and Lou on
drums. Currently, everyone remains except L.P. who has been replaced on bass by Albi. The
band continues to tour and has shared the stage with bands such as Meatjack, Dare To Defy,
and Stuck Mojo.
Along with the band, "Compression" was produced by Drew Mazurek (the
Baltimore-based production icon). Mazurek ably handled the recording and mixing. Overall,
the sound on the disc is quite impressive for a non-major label release.
For more information check out http://www.compressionland.com
"Compression"
(Chard / Tolerance; 1998)
Reviewed by Snidermann
Compression on Chard Recordings shows their metal teeth with this first-rate rock recording. Loud vocals mixed with thundering music makes this record a listening good time. The musical variety of this music is hard to imagine - some of the sounds coming out of the CD player are just hard to identify. Compression has all the aspect of a super rock band: attitude, aggression and volume. However, I found some of this music a little overblown and a bit depressing. I also found some of the music of Compression bordering on the brilliant.
Compression is: Lou, drum kit; Greg, voices; Paul, guitars and toys; Albi, bass.
Look for Compression on the web at http://www.compressionland.com.
Rating Guide:
A classic. This record will kick your ass.
Killer. Not a classic but it will rock your world.
So-so. You've heard better.
Pretty bad. Might make a nice coaster.
Self explanatory. Just the sight of the cover makes you wanna hurl.
Copyright © 2000 by R. Scott Bolton. All rights
reserved.
Revised:
15 Apr 2024 15:20:24 -0400.
